Even though I own all my equipment, gear isn’t everything. And the cheapest price on your Cinematographer may not be a wise move for reasons that will haunt you on set, in post, or both.


It takes a Pro with a great sense of story telling and a keen eye for detail to make a project look it’s best. I’ve got 20 solid years working on movie sets. I know how to get it done on time & on budget without the hollywood attitude. I treat your money like it’s my own. Maybe that’s why 99% of my jobs are referrals that know my honesty & creativity are 100% dedicated to making your project it’s best!

GEAR LIST Red_Gear_List.htmlRed_Gear_List.htmlshapeimage_1_link_0

If you have questions about RED workflow, I can help.

I shoot on RED Pro Prime lenses

ON SET WITH RED REELS.htmlOn_Set_with_RED.htmlshapeimage_2_link_0

Hire a Pro

REELS REELS.htmlREELS.htmlshapeimage_3_link_0

What’s the difference between God and a DP?

God doesn’t think he’s a DP and only uses one light, ...the sun.

RON@HDDIGITALCINEMA.COM mailto:ron@hddigitalcinema.com?subject=REDmailto:ron@hddigitalcinema.com?subject=Redshapeimage_5_link_0

PHONE: 818-613-3595